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The juxtaposition of 2 truncheons draw the profile of a christian cross. Placed at a higher level, such as religious icons use to be exhibited, the ready-made evoke, in a disturbing way, the aspiration for devotion. Mingling together the symbols of 2 of the greater power institutions - the State and the Church - the detour is a raw provocation and reflection on the ideals and principles behind these symbols that ultimately frame the morality of human beings and around which communities are tied together.

Obra adquirida pelo MAR (Museu de Arte do Rio de Janeiro)